Disability Retirement for Federal Employees: Life wears

The doubling of words is always an interesting endeavor; for, almost always, the linguistic connotations erupting from such coupling is rarely limited to the combination of the two, but a plenitude that proves Aristotle’s declaration that the whole is greater than the sum of its parts.  For, in the concept that “life wears”, we gain an understanding of multiple ideas, depending upon the tonal emphasis one places upon accents of consonants, verbs or whether the first in the sequence, or the last: that, the turmoil and challenges of life wears upon the soul; […] Read More …

OPM Disability Retirements: The verse of 1-liners

Can a verse stand alone, isolated in its metrical composition, without preceding or succeeding contextual delineations? Of what value can the singular have, without the surrounding aggregation of the whole? Like a scrap or fragment of a larger narrative revelation, of archaeologists and anthropologists working with but a piece of the greater story, the verse of 1-liners forever echoes for a harkening of others to join. John Donne poetically captured the sense of that isolation, and Thomas Merton wrote a reflective narrative upon that very theme […] Read More …

OPM Disability Retirement: Independence Day

Each country with a colonial past celebrates it; though, for some, separation may not have been accomplished through violent revolution, but via natural evolution by decoupling of cultural and economic ties. Then, of course, there are individual demarcations of personal milestones; of becoming an adult; of the first habitat away from childhood memories; or even a first paycheck replacing the dependency of an allowance bundled in caveats of emotional connections veiled in subtle admonitions of responsibilities, adolescent resentments and the proverbial cutting of the lawn by a weekend warrior. […] Read More …

OPM Medical Retirement: Artistic precision and the caravan of words

The two words in the initial linguistic compound are rarely combined; for, as the former denotes a free-wheeling flow of undisciplined handiwork, it resists against the latter for its constraining methodology of instrumental pragmatism. Thus, an “artist” by definition belies the very definition of precision, and “precision” connotes too rational an approach within the contextual themes of scientism and material fortitude. Are they oxymorons? Not quite. Inconsistent in an aggregation of conceptual constructs? Perhaps, to a degree of some incommensurability. […] Read More …