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Federal Disability Retirement: Avoiding the repetitive in a narrative

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Why do we believe that adding the repetition of words, especially adverbs, will create a compelling narrative? If you ascribe an adjective to an object, then ad an adverb – say, “very” – does repeating and inserting another magnify the significance of the narrative itself, or detract by placing a grammatical marker by bringing attention that the very necessity of the addition undermines the efficacy of the noun to which all of the additions point to, in the first place? […] Read More …

FERS Disability Retirement: “Oh, can I help?”

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It is the grammatical interjection or discourse marker; in either usage, it is in response to some new or surprising information received. Thus do we often encounter that individual (we all know of at least one) who, sitting silently, idly and unnoticed throughout, suddenly perks up after all (or most) of the work has been done – whether in preparation of a meal; cleaning up after the dinner party; or where the main elements of a project have just been completed. And the uninvited interjection: “Oh, can I help?” […] Read More …

Federal Disability Retirement: Tantum ergo

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It is the incipit of the last two verses of a Medieval Latin hymn written by St. Thomas Aquinas. Aquinas is best known for his inclusive osmosis by fiat of stretched logic to accommodate and force commensurability the texts of the ancients (i.e., Aristotle) within the essential boundaries of Christian theology. His methodology in accomplishing this feat was to posit the weakest of straw man arguments, then to systematically appear to knock them down, and then to declare a forceful conclusion as if the ergo naturally and rationally followed. That the conclusion is followed by verses subsequent, reflects how life works as well. […] Read More …

Medical Retirement from Federal Employment: The end of Act I, Scene I

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Whether it is in some obscure off-Broadway play, or in a Shakespearean tragedy presented with lavish costumes and elaborate affectations, the end in Act I, Scene I sets the stage for the narrative following. Yes, yes – one can argue that there are “other” scenes, acts, pivotal moments and significant slices which also formulate the argument for such commanding cohesion in a story; but that misses the point – for, if everything is relevant, then nothing is important; and if nothing is important, then it negates the pointing out of relevance itself. The great Chekhov is the one who pointed out that, if you are going to introduce […] Read More …