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Is not much of opera a booming voice, a lingering chord and the grand mayhem of combining movement with long, loud and hanging sounds emitted from men and women who are born with a talent rarely heard? So, can there be a silent opera? An opera where movement and gestures are seen, but when the performers open their mouths, only silence come out? […] Read More …
Each generation tells a generic story reflective of the times; and thus did the Great Depression era produce movies and epics with undertones of escapism from the harsh realities of life; of the 60s, the fear of nuclear holocaust and the confrontation of the Cold War; of the following decade revealing the hesitation for technology and its pervasive intrusion into the privacy of our lives; and so on, so the anxiety, fear and loathing goes. […] Read More …
For a painter, it is either the sight of uncontrollable delight, or a subtle sense of foreboding into depths of despondency; for the blank canvas represents two sides of a single coin: an opportunity to do what one can, or the beginning of that which may be rejected by an unappreciative public eye. But that is the inherent anomaly of every opportunity presented: potential success, or possible failure. That is why we carry around within us quips of self-appeasement, in order to lessen the weight of expected shortcomings: “Nothing gained, nothing lost”; “It is better to have loved and lost than to never have loved at all”; the list of 100 successful people who failed at first; and other proverbial self-motivators. […] Read More …
Grammar is something we simply survive; it is rarely a career choice, and even less likely anything but a distant memory of distasteful dissonance. But the ability to convey thoughts and conceptual constructs remains a necessity throughout one’s life; and when a present circumstance calls for it, the capacity to plan for the future, while imperfect in any endeavor, must by dictates of life be embraced, in whatever tense of timeless warp by which we discover ourselves. […]
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