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Is not much of opera a booming voice, a lingering chord and the grand mayhem of combining movement with long, loud and hanging sounds emitted from men and women who are born with a talent rarely heard? So, can there be a silent opera? An opera where movement and gestures are seen, but when the performers open their mouths, only silence come out? […] Read More …
There are different ages in different times, designated by the dominance of one entity over another. Thus do we refer to the “Age of Dinosaurs”, or the “Ice Age”; the Age of Feudal Lords; the Age of Man, of course, is a general aegis under which everything falls, once the four-peddling quadrant of living beings became dominated by the bi-pedaling progenitor of carnivorous over-consumption that prevails from time immemorial to the present “age”. Modernity had now become the “age of therapy”, […] Read More …
The definitional distinction between the two is fairly self-evident; it is in the interplay of what they do, how they go about it, and the content of their substantive utterances which blur the lines of differences. And we all have to play both roles in life; of the poet, to speak a reflective voice of a world which can never be captured in its true essence; and in prophetic manner, in maneuvering through a complex universe fraught with dangers of unknown origins, encounters with malicious foes and devious evildoers; and it is with the combination of consolidating the advantages derived from either arenas by which we are able to survive. […] Read More …